Jai Shri Ram,
Here is a comment from our viewer on the meaning of Hanuman Chalisa provided by Ravinderji.
CrippLeD SaMhas left a new comment on your post "HANUMAN CHALISA MEANING WORD BY WORD":
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1000's Thanks to the Translator! This is the BEST Article about Hanuman Chalisa that I've ever read!
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http://hanumanji.wordpress.com
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Dear Viewers, Jai Shri Ram, We had once asked our patron Shri.Ravinderji who has been posting comments on all our blogs with great enthusias...
4 comments:
Aarti of Shree Hanuman Ji Kee – with Meaning
Arati kijai hanumana lala ki
dusta dalan raghunath kala ki
arati ki jai ....
Together, let us adore Shree Hanuman Ji who is part of Shree Ramchandra Ji, himself, and the destroyer of the wicked. Let us, with devotion perform this aarti.
Jake bala se girivara karnpe
bhuta pisacha nikata nahin jharnke
arati ki jai ...
Hanuman's strength is such that the mountains quake and bhuta and pisacha (ghosts and goblins) never come near.
De bira raghunatha pathae
lanka jare siya sudhi laie
arti ki jai ...
Shree Ramchandra Ji sent him with his ring, as a symbol, to search for Sita. Hanuman razed Lanka before returning to Rama with Sita's tidings.
Lanka si kota samundra si khaie
jaata pawan sutabaar na laie
arti ki jai ...
Though Lanka is separated by the ocean, Hanuman jumped over the ocean to reach Lanka very quickly.
Baern bhuja se asura sarnhare
dahini bhuja sura santa ubare
arti ki jai ...
With his left arm he destroyed the demons in Lanka while he rescued the saints, sages and gods with his right hand.
Lanka jarai asura sanhare
rajarama ki kaja sanhare
arti ki jai ...
He set fire to Lanka and destroyed the demons and accomplished Shree Ramchandra's task.
Anjani putra maha baldaie
deva santa ki sada sahai
arti ki jai ...
He is Anjani's son and very great and powerful and at all times serve the saints and munis.
Lakshmana murchita pari sakare
lai sarnjewan prana ubare
arti ki jai ...
When Lakshmana was wounded and fell unconscious in the battlefield Shree Hanuman brought the sanjewan herb and restored his consciousness.
Paithii patala tori yama karay
ahiravana ki bhuja ulhare
art6i ki jai ...
Shree Hanuman also descended into patala .. nether regions .. and entered the prisons of Yama .. Lord of Death .. and tore off Ahiravan's arms.
Sura nara muni jann arati utarayn
jai jai jai kapiraja ucharern
arti ki jai ...
Devatas, munis, rishis, sages and devotees perform Hanuman's arti and glorify him with praises.
Kanchana thaar kapura suhae
arati karata arnjani mai
arti ki jai ...
Using a golden thari with lighted camphor .. kapoor .. Anjani, Hanuman's mother, performs Hanuman's arti .. waving the thari around Hanuman.
Jo hanuman ji ki arati gaway
basi vaikuntha paraam pada paway
arti ki jai ...
Whosoever sings the aarti praises to Shree Hanuman, achieves salvation in the abode of Shree Ramchandra in vaikuntha. Let us all .. perform Shree Hanuman Ji's aarti.
Hanuman Chalisa
Shree Gu-ru cha-ra-na sa-ro-ja ra-ja
Ni-ja ma-nu mu-ku-ru sud-haa-ri
Ba-ra-naun Rag-hu-ba-ra bi-ma-la ja-su
Jo daa-ya-ku pha-la chaa-ri
Bud-hi hee-na ta-nu jaa-ni-ke
Su-mi-raun pa-va-na ku-maa-ra
Ba-la bud-hi vid-yaa de-hu mo-hin
Ha-ra-hu ka-le-sa bi-kaa-ra
Si-yaa va-ra Raa-ma-chan-dra pa-da jai sha-ra-nam
1. Ja-ya Ha-nu-maa-na gyaa-na gu-na saa-ga-ra
Ja-ya Ka-pee-sha ti-hun lo-ka u-jaa-ga-ra
2. Raa-ma doo-ta a-tu-li-ta ba-la dhaa-maa
An-ja-ni pu-tra Pa-va-na-su-ta naa-maa
3. Ma-haa-bee-ra bi-kra-ma ba-ja-ran-gee
Ku-ma-ti ni-vaa-ra su-ma-ti ke san-gee
4. Kan-cha-na ba-ra-na bi-raa-ja su-be-saa
Kaa-na-na kun-da-la kun-chi-ta ke-saa
5. Haa-tha baj-ra au-ra dva-jaa bi-raa-jai
Kaan-dhe moon-ja ja-neu saa-jai
6. Shan-ka-ra su-va-na Ke-sa-ree nan-da-na
Te-ja pra-taa-pa ma-haa ja-ga ban-da-na
7. Vi-dyaa vaa-na gun-ee at-i chaa-tu-ra
Raa-ma kaa-ja ka-ri-be ko aa-tu-ra
8. Prab-hu cha-ri-tra su-ni-be ko ra-si-yaa
Raa-ma Lak-ha-na See-taa ma-na ba-si-yaa
9. Sooksh-ma roo-pa dha-ri Si-ya-hin di-khaa-vaa
Bi-ka-ta roo-pa dha-ri Lan-ka ja-raa-waa
10. Bhee-ma roo-pa dha-ri a-su-ra san-ghaa-re
Raa-ma-chan-dra ke kaa-ja san-vaa-re
11. Laa-ya sa-jee-va-na Lak-ha-na ji-yaa-ye
Shree Rag-hu-bee-ra ha-ra-shi u-ra laa-ye
12. Rag-hu-pa-ti keen-hee ba-hu-ta ba-raa-i
Tu-ma ma-ma pri-ya Bha-ra-ta-hi sa-ma bhaa-i
13. Sa-ha-sa ba-da-na tum-ha-ro ja-sa gaa-vai
A-sa ka-hi Shree-pa-ti kan-tha la-gaa-vai
14. Sa-na-kaa-di-ka Brah-maa-di mu-nee-saa
Naa-ra-da Saa-ra-da sa-hi-ta A-hee-saa
15. Ya-ma Ku-be-ra di-ga-paa-la ja-haan-te
Ka-bi ko-bi-da ka-hi sa-ke ka-haan-te
16. Tu-ma u-pa-kaa-ra Su-gree-va-hin keen-haa
Raa-ma mi-laa-ya raa-ja pa-da deen-haa
17. Tum-ha-ro man-tra Vi-bhee-sha-na maa-naa
Lan-ke-sh-va-ra bha-ye sa-ba ja-ga jaa-naa
18. Yu-ga sa-ha-sra yo-ja-na pa-ra bhaa-nu
Leel-yo taa-hi ma-dhu-ra pha-la jaa-nu
19. Prab-hu mu-dri-kaa me-li muk-ha maa-heen
Ja-lad-hi laan-ghi ga-ye a-cha-ra-ja naa-heen
20. Dur-ga-ma kaa-ja ja-ga-ta ke je-te
Su-ga-ma a-nu-gra-ha tum-ha-re te-te
21. Raa-ma du-aa-re tu-ma rak-ha-vaa-re
Ho-ta na aa-gyaa bi-nu pai-saa-re
22. Sa-ba suk-ha la-hai tum-haa-ree sha-ra-naa
Tu-ma rak-sha-ka kaa-hu ko da-ra-naa
23. Aa-pa-na te-ja sam-haa-rau aa-pai
Tee-non lo-ka haan-ka ten kaan-pai
24. Bhoo-ta pis-haa-cha ni-ka-ta na-hin aa-vai
Ma-haa-bee-ra ja-ba naa-ma su-naa-vai
25. Naa-sai ro-ga ha-re sa-ba pee-raa
Ja-pa-ta ni-ran-ta-ra Ha-nu-mat-a bee-raa
26. San-ka-ta ten Ha-nu-maa-na chu-raa-vai
Ma-na kra-ma ba-cha-na dhyaa-na jo laa-vai
27. Sab pa-ra Raa-ma ta-pas-vee raa-jaa
Ti-na ke kaa-ja sa-ka-la tu-ma saa-jaa
28. Au-ra ma-no-ra-tha jo ko-ee laa-ve
So-ee a-mi-ta jee-va-na pha-la paa-ve
29. Chaa-ron yu-ga pa-ra-taa-pa tum-haa-raa
Hai pa-ra-sid-ha ja-ga-ta u-ji-yaa-raa
30. Saa-dhu san-ta ke tu-ma rak-ha-vaa-re
A-su-ra ni-kan-da-na Raa-ma du-laa-re
31. Ash-ta sid-hi nau nid-hi ke daa-taa
As-a ba-ra dee-na Jaa-na-kee Maa-taa
32. Raa-ma ra-saa-ya-na toom-ha-re paa-saa
Sa-daa ra-ho Ra-ghu-pa-ti ke daa-saa
33. Tum-ha-re bha-ja-na Raa-ma ko paa-vai
Ja-na-ma ja-na-ma ke duk-ha bi-sa-ra-vai
34. An-ta kaa-la Rag-hu-ba-ra pu-ra jaa-ee
Ja-haan jan-ma Ha-ri bhak-ta ka-haa-ee
35. Au-ra de-va-taa chi-ta na dha-ra-ee
Ha-nu-ma-ta se-ee sar-va suk-ha ka-ra-ee
36. San-ka-ta ka-tai mi-te sa-ba pee-raa
Jo su-mi-re Ha-nu-ma-ta ba-la bee-raa
37. Jai Jai Jai Ha-nu-maa-na Go-saa-ee
Kri-paa ka-ra-hu gu-ru-de-va kee naa-ee
38. Jo sa-ta baa-ra paa-ta ka-ra ko-ee
Choo ta-hi ban-di ma-haa suk-ha ho-ee
39. Jo ya-ha pa-rai Ha-nu-maa-na chaa-lee-saa
Ho ya sid-hi saa-khee Gau-ree-saa
40. Tu-la-see-daa-sa sa-daa Ha-ri che-raa
Kee je naa -ta hri-da-ya ma-han de-raa
Pa-va-na ta-na-ya san-ka-ta ha-ra-na
Man-ga-la moo-ra-ti roo-pa
Raa-ma Lak-kha-na See-taa sa-hi-ta
Hri-da-ya ba-sa-hu su-ra bhoo-pa
Si-yaa va-ra Raa-ma-chan-dra pa-da jai sha-ra-nam
Balaji Ki Aarti II
Om Jai Hanumat Veera Swami Jai Hanuat Veera,
Sankat Mochan Swami Tum ho Randhira.
Pawan-Putra Anjani-Sut, mahimaati bhari,
Dukh Daridra mitao, Sankat chah hari.
Bal samay mein tumne Ravi ko bhaksh liyo,
Devan stuti kinhi, tab hi chod diyo.
Kapi Sugriv Ram sang maitri karvai,
Baali bali maray kapishin gaddi dilvai,
Jari lank ko le Siye ki sudhi Vanar harshaye,
Karaj kathin sudhare Raghuveer maan bhaye.
Shakti lagi Lakshman ke bhari soch bhayo,
Lay Sanjivan booti dukh sab door kiyo.
Le patal Ahiravan jabhi paithi gayo,
Tahi mari prabhu laye jai jaikar bhayo.
Ghate memdhipur mein shobhit darshan ati bihari,
Mangal aur Shanischar mela hai jari.
Shree Balaji ki aarti jo koi nar gave,
Kahat Indra harshit maan vanchhit phal pave.
Gayatri Mantra
OM Bhur-Bhuvah-Svah.
Tat savitur varenyam
bhargo devasva dhimahi.
Dhiyo yo nah pracodayat.
'Gayatri Mantra', the ultimate Vedic prayer to awaken the intellectual powers of a person, first found its reference in the 'Vedas' believed to be the storehouse of all Divine Knowledge and the most ancient scriptures known to mankind. The universal prayer is addressed to the Sun God, addressed as 'Savitha' as the Life-Giver on Earth. Goddess Gayatri or Annapurna is believed to be the Mother-God that animates all Life. Considered to be the essence of the Vedas, Gayatri Mantra fosters and hones the knowledge-yielding faculty of a person. The four 'mahavakyas' or ultimate sentences of Gayatri Mantra, is a sacred mantra that demonstrates the unity that underlies multiplicity and manifoldness in creation.
The essence of the Mantra can be stated as follows - 'Oh God! Thou art the Giver of Life, Remover of pain and sorrow, The Bestower of happiness, Oh! Creator of the Universe, May we receive thy supreme sin-destroying light, May Thou guide our intellect in the right direction.'
The individual words and characters of the Mantra have a meaning of their own than can be defined as follows:
Om: The primeval sound that represents Brahma,
Bhur: The physical world that embodies the vital spiritual energy or 'Pran',
Bhuvah: The mental world and destroyer of all sufferings,
Swaha: The celestial and spiritual world that embodies happiness,
Tat: That or God, referring to transcendental Paramatma (Ultimate Spirit),
Savithur: The Bright Sun or the Creator and Preserver of World,
Varenyam: Best or most adorable,
Bhargo: Destroyer of all sins,
Devasya: Divine Deity or Supreme Lord,
Dheemahi: We meditate upon and take in,
Dhiyo: The Intellect,
Yo: The Light,
Nah: Our,
Prachodayath: Inspire or Enlighten.
Thus, the Gayatri Mantra can be translated as follows:
We meditate on the glory of the Creator;
Who has created the Universe;
Who is worthy of Worship;
Who is the embodiment of Knowledge and Light;
Who is the remover of all Sin and Ignorance;
May He enlighten our Intellect.
Thus, we can say that Gayatri Mantra basically consists of three parts:
1. Praise,
2. Meditation, and
3. Prayer.
While chanting the mantra, we first praise the God or the Divine Power, meditate upon it in all reverence and then finally pray or make an appeal to the God awaken and strengthen the intellectual powers of a person. The Mantra is said to be the embodiment of all deities and is certainly not associated with any particular religion or sect, time, place or person. While Om, Bhuh, Bhuvah, Swaha, Thath, Savithur, Varenyam, Bhargo and Devasya are said to be its nine colors or praise of the Divine, Dheemahi is related to meditation and Dhiyo, Yo, Nah and Prachodayaath are said to be the parts of the prayer aspects of the mantra.
'Gayatri' is not actually the Goddess, which sounds surprising but she is held in equal reverence because she is the mother of the Vedas or Divine Knowledge. The other two forms of Gayatri are Savitri and Saraswathi and these three are said to be present in everyone, in which - Gayatri is said to be the one to control the senses of a person, Savitri controls the Prana or the Life Force of a person and Saraswathi controls Speech of a person. Thus, the three together represent the purity in thought, word, and deed. In the same order, Gayatri is said to enhance one's intelligence and intuition by recitation of the mantra, Savitri is said to protect the life forces and Saraswati is said to guard one's speech.
The deity Gayatri is said to be 'Panchamukhi' (having five faces). These five faces are actually the five senses guarded by her or alternatively, five 'pranas' of life forces protected by her as Savitri. The concept of Savitri being the deity to control life forces stems from the legend that Savitri was the devoted wife who was so pure and loved her husband so much that she succeeded in bringing her husband back to life by forcing Yama, the God of Death, to return his 'Prana' or Life Force. It is said that Gayatri Mantra acts as a third eye of a person that opens up a whole new world of spiritual realization and attaining Brahma.
It is said to have power to protect one from any possible harm. Even the science-minded Westerners have found that the correct recitation of Gayatri Mantra in the right accent as described in the Vedas produce certain vibrations that make the surrounding atmosphere visibly illumined, which is described as the 'Brahmaprakasha' or Effulgence of the Divine by more staunch believers. As prescribed by the Vedas, Gayatri mantra must be chanted at least three times a day during morning while taking bath, noon before eating lunch and evening at the time of sunset to cancel out all the sins that one may have done all through the day unknowingly. However, it is best to recite Gayatri period during the 'Satwik' or 'pure and serene' period during the day from 4 am to 8 am and 4 pm to 8 pm. The Gayatri Mantra should be recited while meditating upon the fact that everything is within oneself and thus, we should keep and develop confidence in the Self.
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